Showing posts with label Boardwalk Empire production. Show all posts
Showing posts with label Boardwalk Empire production. Show all posts

Friday, July 3, 2009

female confused about how women are treated by casting directors

The following is a letter written by one of my fellow cohorts who also worked on "Boardwalk Empire". The letter depicts the unfair treatment by casting and discrimination against Women in their late thirties working in this business:


A certain casting agency hired me for the new Martin Scorsesse project "Boardwalk Empire" for 3 days. They fitted me in a period costume, wanted my hair to be all one color,I had to be shorter than 5'5, and of white/European decent. They paid me SAG wages for the fitting, and I was under the impression I would be paid SAG wages for the days I was asked to work.

They then proceeded to pay me non-union for the day of work, and this was a long day (16 hours) and was a 500 dollar difference (bt. the Union & non-union actors). I complained to SAG, and they told me casting could do whatever they wanted, and that they had made a mistake and only kids would be waivered.

I thought that was ironic since I have a 5 year old, and am a single parent and need to pay a babysitter 10 dollars per hour when I work. This particular project centers around women in the work place, and women getting a respectable salary. I do not believe this is Martin Scorsese's fault, nor do I believe this is the production company's fault. But is the second time this casting agency has hired me for a particular look (white/European, short, all one hair color, 30's), given me SAG wages for the fitting and then not paid me SAG wages for a day of work.

Some of these casting directors seem to have lawless business practices. They seem to be prejudice against white women in their 30's. Certain people in the film industry have told me that white women in their 30's don't get waivers! Only pretty, young girls in their 20's.
I am an attractive reasonably young woman and would like to know what percentage of white women in their 30's are actually working on a daily basis on film and television projects in New York City like I do.


I am a member of Aftra. I understand that SAG does not have an open door policy like AFTRA does. I do not understand how women can continue to be discriminated against.
If anyone has any insight or complaints about casting agencies; or the random way waivers are given out please respond.


Julia S.East Village, New York City

Please feel free to comment in your support.

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Monday, June 29, 2009

Boardwalk Empire Blues..An Open Letter to The production people at Boardwalk

Dear Boardwalk Empire Production,

I have worked many years doing background work. I have experienced the bad,the good, and the ugly side of working on film and TV productions. Lately I have seen the more of the "ugly" in this business as of late in terms of being used for minimum wage.

It has been my understanding that if you work hard enough, that you will at least get a chance to get into one of the most sought after unions, SAG (Screen Actors Guild). Getting into a union like this one not only gives you credibility, but makes you feel like you have accomplished something. It's a dream that people like you and me aim to achieve.


I am not saying that I am aiming to be the next Julia Roberts or Nicole Kidman. What I am saying is I would like a little respect and some reward for my hard efforts in this business. Is that too much to ask?? Apparently it is and this was demonstrated on the set of "Boardwalk Empire". An HBO production with the pilot directed by the one and only, Martin Scorsese.


It was such an honor and privilege to work with Hollywood's finest directors, Martin Scorsese.The most ironic thing about this entire experience is perhaps the fact that the scene that I was in reflected upon the 1920's prohibition where Women were just given the privileges for the right to vote.


I was also involved in the Boardwalk scene itself. I have to admit that the scene itself was very impressive! It was a replica of the 1920's Atlantic city boardwalk. What was not that impressive was the catering and the fact that we worked on this set for 20 hours!

I understand that you need to get the shot completed as time is money. Though in this case I think that there should have been some kind of a raffle or a bump in pay for dealing with all those long hours. Just to show some appreciation for us background giving every little last bit of energy we have left.

Without background, you do not have a movie.


Sincerely,

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